当我们仰望天空时看见什么？

简介：一名有志钢琴家在毕业独奏会临场僵住后，只得铤而走险，赌上前程。

简介：脱离卧底生涯的锋，以为两袖清风，　　惟昔日阴影挥之不去，上司、女友、老父，统统投不信任票，一次枪声，　　同袍继而倒地，原是江湖的昔日好友却变成陌路人。可怕的是锋也变成了自己的敌人，内心的煎熬令可卡因成了他最　　直接了当的解脱。　　滤镜下的灰暗色调、霓虹灯下的惨淡蓝、幻觉式FLASH　　BACK。是绝望观感，还是在无人境界的国度？最危险的人　　物，正是那个活在梦魇的自己。

简介：阿里相信他的女友的灵魂转世到了一头羊身上。阿里、他的羊还有他的朋友易卜拉欣为了颠覆诅咒，横跨埃及，开始了一段有关友情与发现自我的旅程。

简介：清朝末年，兵荒马乱，战争四起。江东驿站一行人在此时接到了一项生死速递任务，然而还没出发就传来大清帝国灭亡的消息。忠诚勇敢的主角银狐依然决定完成这趟差事，踏上了荒野中的驿道。一路上，邮驿队伍身边危机四伏、险象环生。所幸，银狐不辱使命，完成了一名末代王朝驿夫的最后使命。

简介：这部电影讲述了Deniz的故事，在她独自抚养的六岁女儿Cemre感染了致命的疾病后，她试图实现女儿的最后愿望。

简介：2022 year. Eighteen-year-old Dima from Donetsk is left alone after his father's funeral. He hasn't seen his mother since childhood and has long accepted the emptiness in his family. He is far from sports and doesn't understand how the world around is organized, until he learns the terrible truth: among the civilians captured in the besieged Mariupol, there might be his mother. ...

简介：这部风格优美、含蓄内敛的西部片讲述了一个儿子由两位父亲抚养长大的故事，一位来自欧洲东部，一位来自美国西部。20世纪初，在美国边疆的某个地方，移民伊戈尔刚刚丧妻，独自一人艰难地抚养着两岁的儿子伊沃。当他的美国朋友兼导师邓肯决定带着他的马匹养殖场和年幼的家人迁往加利福尼亚时，伊戈尔和伊沃便加入了西行的篷车队。

简介：上世纪八十年代渭北高原一个农村小镇，供销社里的职工纷纷下海或离开，只留下社主任呼延凯奇一人还在坚守。一天外出归来呼延意外收留了一个又脏又饿的女人，不想这女人却是传言中隔壁小镇那个克死丈夫的“克星”张芬芳。面对风言风语，呼延依然坚持留下了她。

简介：费恩（安东·尤金 Anton Yelchin 饰）出生在一个贫穷的家庭之中，他的父亲是一名人类学家，在他很小的时候就背弃了家庭。费恩的母亲利兹（黛安·莲恩 Diane Lane 饰）常年受毒品所折

简介：她想尽办法逃离下嫁野蛮政客的命运，一名陌生人伸出援手，偏见与仇恨却朝他俩猛然袭来。

简介：Follows two estranged siblings as they return home to the sprawling ranch they once knew and loved.

简介：The lines start with “O Somma Luce” which is the title of the film and also the 67th line of the 33rd canto in “Paradiso” of Dante’s “Divine Comedy” to the end of “Paradiso”.  The film is completed with music and lines instead of emotions and narrations.  This is a recent attempt to combine film with literature.　　The film begins with a black screen and the music of Edgard Varese. The BGM is “Deserts” that was recorded in 1954. After some moments of darkness, the music ends and a middle-aged man sits on a hill, reciting something. He is Giorgio Passerone, an Italian literature professor, and he is reading out of the last part of ‘Paradiso’ of Dante’s Divine Comedy. Jean-Marie Straub expressed how he thinks of Dante through a subtle accent and dialect. The director who had encoded many great artists and musicians including Bach, complete the combination of Dante and Varese, which could seem strange. (Lim Kyung Yong)