与“Mi”相关的影片 共个
我们曾是战士
186
6.0
已完结
我们曾是战士
6.0
更新时间:09月08日
主演:梅尔·吉布森,玛德琳·斯托,格雷戈·金尼尔,山姆·艾里奥特,克里斯·克莱因,凯丽·拉塞尔,巴里·佩珀,丹阳,瑞恩·赫斯特,Robert Bagnell,马克·布鲁卡斯,乔什·多尔蒂,贾苏·加西亚,乔恩·哈姆,克拉克·格雷格,戴斯蒙德·哈灵顿,布莱克·赫伦,埃里克·麦克阿瑟,迪伦·沃尔什,马克·麦克拉肯,Edwin Morrow,布莱恩·泰,Sloane Momsen,贝拉米·扬,斯姆比·卡哈利,Forry Smith,Steven Nelson,Vincent Angell,基斯·斯扎拉巴基克,提姆·阿贝
简介:本片根据越南战争中的真实战斗改编。1965年11月,越南战争升级至美军直接参与战争阶段。驻越美军人数不断上升。摩尔中校(梅尔吉布森 Mel Gibson 饰)受命把一群新兵训练为真正的战士,部队中同时涌入不少随军家属,军人们扮演着丈夫与战士的双重角色,温馨的气氛中掺杂着丝丝不安。为了缓解单调的军旅生活,部队举办了大型晚会。出征的时刻到了,摩尔在典礼上庄严承诺“带回每一名士兵”。  摩尔与他的部队被空降在临近柬埔寨的河谷地带,这里是北越军的重兵所在,人数弱势的美军陷入了重重包围,伤亡惨重,最后在火炮、直升机的辅助下战局开始僵持。第二天,战斗推进到山丘但仍然无法突破包围,摩尔寻求空军帮助,由于双方距离过近,美军的汽油弹炸伤了部分地面部队。摄影记者乔(Barry Pepper 饰)记录下了战斗中一幕幕残酷的画面。第三天,美军正准备进行决定性的近身战斗,这时空军支援到位了,越军被全灭。
3714
2002
我们曾是战士
主演:梅尔·吉布森,玛德琳·斯托,格雷戈·金尼尔,山姆·艾里奥特,克里斯·克莱因,凯丽·拉塞尔,巴里·佩珀,丹阳,瑞恩·赫斯特,Robert Bagnell,马克·布鲁卡斯,乔什·多尔蒂,贾苏·加西亚,乔恩·哈姆,克拉克·格雷格,戴斯蒙德·哈灵顿,布莱克·赫伦,埃里克·麦克阿瑟,迪伦·沃尔什,马克·麦克拉肯,Edwin Morrow,布莱恩·泰,Sloane Momsen,贝拉米·扬,斯姆比·卡哈利,Forry Smith,Steven Nelson,Vincent Angell,基斯·斯扎拉巴基克,提姆·阿贝
欧洲的某个地方
189
9.0
已完结
欧洲的某个地方
9.0
更新时间:09月08日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
5400
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
别闯阴阳界
430
7.0
已完结
别闯阴阳界
7.0
更新时间:09月08日
主演:基弗·萨瑟兰,朱莉娅·罗伯茨,凯文·贝肯,威廉·鲍德温,奥利弗·普莱特,金伯利·斯科特,乔舒亚·鲁杜瓦,Benjamin Mouton,埃里克·伊根,Kesha Reed,霍普·戴维斯,吉姆·奥特莱比,John Duda,Megan Stewart,特蕾莎·托马斯
简介:几个芝加哥大学附属医院高材生,在好奇心的驱使下,策划了一场探索死亡奥秘的疯狂实验。他们轮流躺在手术室里进入死亡状态,再由其他守护的同学将自己救活。这场惊险又刺激的死亡穿梭,在一个漆黑的深夜里一步步的开始了。  第一个进行测试的纳尔逊(基弗·萨瑟兰 Kiefer Sutherland 饰)在“死”去之后,遇见了因他的侮辱而死去的男孩。死而复生后的纳尔逊,虽然各种感官都变得更加敏锐和灵敏,却陷入深深的梦魇之中;接受实验的第二个人是好色的乔(威廉·鲍德温 William Baldwin 饰),他见到了各种色情场面,并且遇见了曾虐待过的女孩;紧接着,戴维(凯文·贝肯 Kevin Bacon 饰)也接受了实验,他则将死亡实验延迟到了两分钟;女学生蕾切尔(朱莉娅·罗伯茨 Julia Roberts 饰)更是在死亡时间里,重温了父亲自杀的经过。在体验过死亡世界之后,那些挥之不去的往日记忆开始无孔不入的侵占他们的一切。
2485
1990
别闯阴阳界
主演:基弗·萨瑟兰,朱莉娅·罗伯茨,凯文·贝肯,威廉·鲍德温,奥利弗·普莱特,金伯利·斯科特,乔舒亚·鲁杜瓦,Benjamin Mouton,埃里克·伊根,Kesha Reed,霍普·戴维斯,吉姆·奥特莱比,John Duda,Megan Stewart,特蕾莎·托马斯
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